BEAUTY AND THE MACABRE
(Gallerysmith Project Space, North Melbourne, October 2017)
Close to Krieger's heart is the vulnerability of animals and the transient nature of life. Her body of work explores how human activity has affected Australian wildlife today. Through deforestation, fossil fuels and introduced species we are rapidly damaging our eco system.
Beauty and the Macabre displays both the positive and negative changes that have been made through our own doing and undoing. Extinction and climate change are the ugly elements of our intervention, but there's also stories of survival and rejuvenation through programmes to save our endangered species.
Influenced by the movements of the Vanitas and Momento Mori, Krieger chose not to delve too deeply into death and decay but produced a body of work implementing her own arrangements of unstill life. Her paintings display collections of Australian flora and fauna, including the living, extinct and endangered.
The viewer is firstly drawn to the beauty of the work, only to question its inference.
I am Sam (in honour of Sam from Black Saturday), oil on board, 50cm
Newborn, oil on board, 50cm
Spring lamb, oil on linen, 107 x 122cm
Ewe, oil on board, 50cm
Duck l’orange, oil on board, 50 x 60cm
Pink ice, oil on board, 50 x 60cm
Dinosauresque, oil on board, 50 x 60cm
Silver princess, oil on linen, 91 x 122cm
The gesture, oil on linen, 107 x 122cm
Roo, oil on linen, 92 x 122cm
Vanishing point, oil on linen, 91 x 122cm
Devil of a time, oil on board, 50cm
Pork and apple sauce, oil on linen, 107 x 122cm
Black Saturday, oil on board, 50 x 60cm
Something borrowed, something blue, oil on board, 50 x 60cm